在 MiniMax H3 工作台中統一理解文字、圖片、影片和音訊參考。生成最長 15 秒的 2K 影片與原生立體聲，並用自然語言繼續調整創作方向。
在同一個生成器中切換 MiniMax、Hailuo、Seedance、Google Veo、Wan、Grok、Kling 與 PixVerse 模型。
把這些參考片段與提示詞方向當作創意起點；畫廊素材不作為已驗證的 MiniMax H3 輸出展示。
@image1's female star as the main subject, reference the camera movement method of @video1 for rhythmic push-pull-pan-tilt movements. The female star's movements also reference the dance movements of the woman in @video1, performing energetically on stage.
範例
@image1 [Camera View] Official television sports broadcast feed. High-angle professional zoom lens, smooth tripod-mounted tracking, no handheld jitter. The video features a permanent digital scoreboard overlay in the top-left (MATCHWEEK 24, NAS 2, SHB 1) and a "SSC 1 LIVE" television logo in the top-right, perfectly static. [Candid Discovery] The broadcast camera cuts from the game to scan the crowd in natural, ambient daylight. It locks onto a stunning woman in a dark brown silk halter dress. She is surrounded by a diverse audience wearing everyday casual clothes (hoodies, jackets, t-shirts). She is casually eating a burger and holding a blue soda can. She incidentally glances up, catches her own image on the stadium's giant screen, and realizes the live camera is on her. She gives a surprised, cool smirk to the camera. [The Transition] She quickly but calmly sets her burger and drink on her seat, stands up with athletic poise, and coolly vaults over the professional stadium railing onto the pitch. The broadcast camera pans smoothly to follow her movement from the stands to the grass. [The Interaction] On the pitch, a professional soccer player in a white kit passes the ball directly to her feet. Despite wearing sharp high-heeled shoes, she expertly traps the ball and executes a powerful, professional-level strike. The ball arcs with high velocity into the top corner of the goal net. [Audio & Finish] Audio is authentic stadium environment sound: the distant hum of thousands, the rustle of clothing, the sharp "thwack" of the high heel hitting the ball, and the massive roar of the crowd after the goal. She turns toward the lens with a radiant smile and playfully covers the camera with her hand, ending the broadcast segment. [Technical Specs] Broadcast-quality 4K, 60fps, natural color grading, high-end optical zoom, photorealistic textures, clean TV graphics.
Overall Style and Aesthetics: A high-energy, thrilling first-person action sequence, shot in a 9:16 vertical aspect ratio. The visual style is a raw, high-budget prehistoric adventure film, shot with a 35mm anamorphic lens, retaining a strong film grain and noticeable noise to create a realistic and stunning texture. The camera work simulates a GoPro-style wide-angle lens with peripheral distortion. High-fidelity visual effects, realistic mud and water physics, and 8K resolution. Narrative Timeline (9:16 Vertical Shots): 0:00 - 0:03 (High-Altitude Paragliding Flight) This scene opens from the first-person perspective of a paraglider pilot. Two gloved hands grip the control stick, and brown tactical boots sway at the bottom of the frame. The pilot soars above a vast, ancient jungle filled with giant tree ferns and prehistoric palm trees. In the center of the treetops, a massive, long-necked sauropod dinosaur (Brachiosaurus) stands majestically, its head facing the camera. 0:03 - 0:06 (Canyon Dive - Dynamic Chase) The pilot pulls the control stick, diving into a narrow basalt canyon in a thrilling maneuver. A group of pterosaurs, emitting sharp cries, blurs past the camera. Below, a rushing river flows between jagged rock walls. The camera uses strong motion blur and shaky shots to simulate wind resistance and speed during the descent. 0:06 - 0:10 (Water Glide - Low-Altitude Gliding) The pilot glides close to the water's surface, just inches away. Water spray and splash onto the "lens." The camera follows the winding river at incredible speed. Lush green vegetation and ancient moss-covered rocks rush past on either side. The lighting is natural, overcast sunlight, casting realistic reflections on the water. 0:10 - 0:13 (Fall - Physics and Textures) The paraglider loses altitude and plunges violently into a deep, muddy clearing. The camera angle drops sharply. A large patch of thick, brown mud splashes onto the lower half of the frame. The paraglider's white canopy collapses, hanging above the camera, forming a suffocating, translucent white veil.
Single continuous cinematic shot. Audio begins with daytime Shibuya street noise mixed with 8-bit video game sounds and chaotic Japanese chatter. Background music: shamisen strings. The camera pushes low along the ground. A girl’s leather shoe slams into frame — heavy first step. A Japanese schoolgirl in JK uniform sprints into frame at extreme speed, then suddenly slows on the second beat. She side-rolls and runs along a Shibuya crosswalk, shoulder nearly brushing the lens, skirt sweeping across frame. Obstacle ahead. She suddenly accelerates, steps onto a low wall — explosive jump. The camera lifts into the air with her. City lights streak below. She lands steadily, stabilizes with one hand, immediately rolls forward. The camera rotates half a turn with the roll, then quickly corrects. She sprints again. Full speed. Charges toward a railing. No hesitation. She leaps. The camera follows into weightlessness. Wind roars. Shamisen music briefly cuts midair. She lands on a lower platform. Knees absorb impact. Lowest point. Next beat — she snaps her head up and resumes sprinting into the crowd.
Vertical ASMR video. No music. Macro details. Shot 1: A light blue skincare gel bottle sits on glass. A pale elegant hand gently taps the glass, producing crisp fingernail tapping sounds. Shot 2: The hand picks up the bottle and slowly twists the cap. The cap rotation sound is clearly audible. Shot 3: A spoon scoops a portion of gel. With a soft “plop,” a thick blob of pale blue gel lands heavily in the center of the glass surface. The gel is dense and viscous, containing tiny realistic air bubbles. Dramatic cool lighting from behind makes it glow like a gemstone. Shot 4: The hand presses firmly onto the gel. The pressure flattens it, causing it to spread outward into an irregular circle. Tiny bubbles swirl within the texture. Palm lines and skin details are clearly visible through the glass. The hand slowly spreads the gel in circular motions. The thick gel thins into a semi-transparent oily film. Focus entirely on friction and fluid dynamics between hand, product, and glass.
Based on a storyboard of reference images, a fast-paced flashback montage was created. This is a nostalgic love story, shot on 35mm film in the style of a Kodak Portra 800. Soft grain, dreamlike bokeh, warm highlights, and slight color shifts create a retro cinematic atmosphere. The background music is an English song.
Fisheye Horse Comedy
TikTok-style vertical 9:16 marketing video. A glowing Colombian woman in her late 20s with bronze skin, fresh barefaced complexion, tight curly black hair pulled up in a claw clip, white terry headband, ivory bathrobe. She is in a bright marble bathroom with morning daylight. She turns on the pearl-white sonic facial cleansing brush, gently moves it across her cheek with foam, then turns to camera, beaming, and says in confident English: "My skin has never been this smooth. I am throwing out all my old face washes." Quick TikTok jump cuts: brush close-up, foam macro, before-and-after skin tone shot, sparkle SFX, natural sync sound English voiceover, upbeat clean beat track.
A car sketch on paper. The camera pushes in. The sketch lines rise off the paper, gaining dimensionality and color, transforming into a photorealistic 3D car driving on a road.
@image1's female star as the main subject, reference the camera movement method of @video1 for rhythmic push-pull-pan-tilt movements. The female star's movements also reference the dance movements of the woman in @video1, performing energetically on stage.
Ultra epic wow visual with a thrilling clear crisp great lighting scene with a frozen grassland under a pale orange dawn, where a rider in layered wool armor and carved antler shoulder plates faces a long-necked ice predator with translucent fins and six running limbs, intense anticipation across the open plain. The camera begins at horse level, racing beside the rider as the beast charges from the right. The rider throws a rope harpoon into the beast’s shoulder fin, circles wide to avoid its bite, then uses the horse’s turn to pull the beast off line. Snow trails and breath plumes show direction clearly. The camera speeds up with a clean lead shot in front of the horse, a wide side sweep showing the rope tension, and a gradual overhead arc as the beast recovers and sprints again. Climax: the rider dismounts onto a boulder, anchors the rope, and the beast’s own speed brings it down in a slide of ice and snow. Ending: the horse slows, the beast stops struggling, and the rider cuts the rope loose as dawn light warms the plain
The performance erupts within the grand, shadowed theater of **Figure 3**. The protagonist (**Figures 1 and 2**) sits at the center, a single high-contrast spotlight cutting through the darkness to reveal swirling dust. Following the cinematic rhythm of **Figure 4**, the scene unfolds with breathless intensity. The camera utilizes handheld techniques, creating a gritty, documentary-style urgency with slight motion blur as it pivots from wide shots to aggressive close-ups. We see the pianist’s fingers strike the keys with percussive force, capturing the vibration of strings and the spray of sweat under the harsh light. The visual narrative transitions from a top-down "God's eye" perspective to a claustrophobic close-up of the performer’s face, etched with strain and desperation. The color grading is desaturated and cool, emphasizing the stark, modern-action aesthetic. Every shot is framed with an imperfect, shaky composition that heightens the tension, turning a solo recital into a visceral, high-stakes battle.
00:00 - 00:02 | The Disappointment (Cold Realism) Visual: A man in a dimly lit, sterile kitchen stares sadly at a piece of dry, factory-processed white bread. The atmosphere is melancholic. Prompt: Medium shot, a middle-aged man looking disappointed at a piece of bland, industrial sliced bread on a cold granite counter, desaturated colors, cinematic moody lighting, 4k. 00:02 - 00:05 | Nostalgia Flashback (Vintage 16mm) Visual: Rapid-fire montage of "The Golden Age of Baking." Hands covered in flour, a wooden table, dough rising, and a stone oven glowing. Prompt: Fast rhythmic cuts, 16mm film grain, vintage sepia tones, close-up of hands kneading dough on a wooden board, flour dust flying in the air, golden sourdough loaf emerging from a wood-fire stone oven, nostalgic 1970s aesthetic. 00:05 - 00:08 | The "What Happened?" (Modern Grittiness) Visual: Quick, shaky shots of bread in plastic bags on a conveyor belt and a squashed, soggy loaf. Prompt: Handheld camera, gritty texture, quick zoom on a crushed loaf of bread in a plastic grocery bag, industrial factory lighting, fast-paced editing, motion blur. 00:08 - 00:12 | The Craftsmanship (High-End Food Porn) Visual: Extreme macro shots of the new handmade bread. The "crack" of the crust, steam rising from the center, and a baker smiling while handing it over. Prompt: Extreme close-up macro shot, a knife slicing through a crusty artisan loaf, audible crunch texture, steam rising from the soft white interior, warm golden hour lighting, high-speed camera (slow motion), a friendly baker in a flour-dusted apron smiling. 00:12 - 00:15 | The Resolution (The New King) Visual: The man from the first scene takes a massive, happy bite of the fresh bread. Bold text appears: "REAL BREAD. FOR THE REAL KING." Prompt: Cinematic close-up, the man taking a satisfying bite of a thick slice of handmade bread, eyes closing in delight, warm sun-drenched lighting, high-end color grading, bold gold text overlay 'THE REAL BREAD IS BACK,' logo reveal.
MiniMax H3 模型概覽
MiniMax H3 是 MiniMax AI 於 2026 年 7 月 31 日發布的通用多模態生成模型。它不再把文字轉影片、圖片轉影片、動作參考和音訊處理視為彼此割裂的任務，而是在同一創意上下文中理解文字、圖片、影片與音訊。
MiniMax H3 AI 影片生成器可建立最長 15 秒、最高 2K 的影片，並同步生成原生立體聲。MiniMax 官方重點介紹了指令遵循、文字與品牌元素呈現、V2V 動作遷移，以及透過自然語言表達參考和編輯關係等能力，適合廣告、電商、產品設計、UI/UX、遊戲和影視概念。
“a general-purpose multimodal generation model”
由 MiniMax H3 Studio 編輯團隊於 2026 年 8 月 1 日審核並更新。
了解 MiniMax H3 AI 影片生成器如何統一上下文、原生立體聲、2K 輸出與自然語言控制。
MiniMax H3 能在同一創意簡報中理解文字、圖片、影片和音訊之間的關係，讓參考素材分別引導主體、表演、鏡頭語言、時序或聲音。
MiniMax H3 AI 影片生成器會同步生成畫面與原生立體聲，讓對白、環境音、音效和音樂成為同一次創作的一部分。
建立最長 15 秒、最高 2K 的 MiniMax H3 影片，並利用指令遵循、文字與品牌元素呈現和 V2V 動作遷移探索廣告、電商、UI/UX、遊戲與設計方案。
從想法到匯出，在 MiniMax H3 應用中只需三步。
從提示詞、靜態影像或參考片段開始。MiniMax H3 會從自然語言描述中理解主體、鏡頭運動、節奏和視覺風格。
選擇文字生成影片、影像生成影片或參考生成影片模式，設定解析度和長寬比，然後生成第一版電影感片段。
調整提示詞、替換參考素材、比較版本、延展片段，並在結果符合創意簡報後匯出。
PROMPT GUIDE
指南把 T2VA、首尾幀、Ref2VA、運鏡、聲音和官方結構拆成可複製的步驟。
依文字、首幀、尾幀或參考素材決定提示詞應控制什麼。
把主體、動作、運鏡類型、幅度和速度放進清楚時間線。
分開對白、環境聲、物理音效與觀眾可聽配樂。
把影像、運動提示和鏡頭語言放在同一工作流程裡。
無需重建整份簡報，就能重新生成場景。
生成多個創意方向，再挑選最有表現力的一版。
用影片參考引導運動、時序和視覺方向。
看看 MiniMax H3 的創作方式與基礎 AI 影片工作流程有何不同。
用 MiniMax H3 製作廣告概念、產品展示、分鏡、社群內容、培訓影片和快速創意測試。
為 TikTok、Reels、Shorts、發布影片和付費社群變體快速起草短影片概念。
把產品圖轉成帶有季節鉤子、英雄鏡頭和平台裁切規格的動態宣傳影片。
探索場景、預演鏡頭運動，並生成可用於前期製作的素材。
為簡報、解說、培訓資料、內部發布和銷售故事建立動態片段。
實驗不同視覺風格、音樂影片、裝置、超現實循環和概念短片。
用 MiniMax H3 學習素材解釋課程、抽象概念、語言變體和快速複習內容。
選擇適合你影片產量、佇列需求和積分用量的 MiniMax H3 方案。
適合探索 H3，每週製作少量精緻短片。
每月 1,600 積分
約 45 積分 / 秒 · MiniMax H3
約 US$0.28 / 秒 · MiniMax H3
適合每週穩定製作社群、產品和行銷內容的創作。
每月 6,000 積分
約 45 積分 / 秒 · MiniMax H3
約 US$0.19 / 秒 · MiniMax H3
適合需要更高產能和優先處理的團隊與客戶專案。
每月 15,000 積分
約 45 積分 / 秒 · MiniMax H3
約 US$0.15 / 秒 · MiniMax H3
了解 MiniMax H3、MiniMax AI、MiniMax Hailuo、Hailuo H3、Hailuo AI、價格、輸入與多模態影片工作流程。
MiniMax H3 是 MiniMax 的多模態影片生成模型。這個工作台連接 MiniMax H3 API，支援文字生成影片、首尾幀，以及圖片、影片和音訊參考工作流程。
