Tilt a hand mirror while the real scene stays still

Original, untested video brief. No input image or generated result is supplied.

1. Task and boundary

Tilt one small hand mirror through a modest angle while two real objects stay fixed beside it. Watch the reflected composition shift inside the moving mirror boundary. End with the same frame and handle held at a new angle, with no extra physical object created from the reflection.

This original shot plan is untested. Use simple shapes, a plain mirror and a small angle. Exclude perfect geometric calibration, text reversal tests, invisible objects revealed from outside the prepared scene and a moving camera.

2. Authorized first frame

Use a photograph or accurate drawing you own or have permission to use. Show the original hand holding the mirror by its handle. Two plain objects stand at fixed positions and at least one is initially reflected inside the glass.

Choose an oblique view that shows both the physical objects and their mirror context. Keep all four frame corners visible with room for a small tilt. Avoid faces, tiny lettering and complex reflected rooms that make object identity hard to follow.

3. Use the generator

Open the current image-to-video generator in a mode accepting your authorized first frame. Paste the prompt; check settings and cost before submission. Nothing runs automatically.

4. Prompt and timing

Begin from my authorized image of a hand mirror held by its original handle, with two stationary plain objects beside it and an initial reflection visible in the glass. Fix the camera, objects, table and lighting. The original hand tilts the same mirror slowly through one small angle. Keep its frame rigid and its handle continuously attached. Let the reflected composition shift within the changing glass boundary in response to the mirror angle, while the real objects remain at their original table positions. Reflected shapes may approach or leave a glass edge but must not spill outside the mirror or become additional physical objects. Stop the hand and hold the new mirror angle. Preserve the original object identities and frame corners. No independent object travel, liquid mirror, new reflected room, zoom, cut or text.

1. Establish, first fifth: match each visible reflected shape to its stationary physical counterpart.
2. Tilt, middle three fifths: follow the frame angle and reflection movement while checking the real objects.
3. Hold, final fifth: inspect the new composition within the same rigid mirror boundary.

5. Inspect the output

For each check, record a frame or time, observation and pass, fail or inconclusive judgment.

• The hand changes the mirror angle without moving the camera.
• Physical objects stay fixed relative to the table references.
• The reflected composition responds within the glass instead of remaining a pasted picture.
• Reflected edges are clipped by the same moving mirror boundary.
• The frame and handle keep their original connected shapes.
• If no physical counterpart remains visible, mark scene-versus-reflection separation inconclusive.

6. Fix one failure

• The reflection sticks like a decal: request composition change as the mirror plane tilts.
• The real objects slide: anchor their bases to visible table details.
• A second object appears outside the glass: keep reflected content clipped to the mirror.
• The frame bends: reduce the tilt and preserve all corner relationships.
• The reflected scene is unrecognizable: simplify the authorized input to two plain forms.

7. Ending and limits

Finish with fixed real objects and one rigid mirror held at its new angle, containing the changed reflection.

Save your result, authorized input, exact prompt, settings and inspection notes.

No H3 result, optical ray trace or mirror-accuracy certification is supplied. This visual plan reviews cause and boundary continuity without calculating exact reflected coordinates.

The fixed-mirror task moves an object in front of stationary glass. Here the glass plane moves while the real scene stays fixed, reversing which element causes the change.