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Durasi video:
15s
Dimensi video:
3840 × 2160
Cerita sinematik/Seedance 2.0

Pelarian putus asa menembus baku tembak

Pelarian putus asa menembus baku tembak. Lihat contoh video dari model Seedance 2.0 ini, prompt aslinya, video yang dihasilkan, dan masukan yang diperlukan.

Model video
Seedance 2.0
Durasi video
15s
Rasio aspek
16:9
Mode pembuatan
Tidak ditentukan
Buat yang serupa

Prompt

Continuous camera motion, no cuts. Zero breathing room from first frame. Audio is pure overwhelming chaos, continuous explosions, weapon fire, structural failure. No humans. Realistic space physics. No spontaneous objects. A ship emerges from hyperspace directly inside an active battle it didn't know was happening. Two massive warships already destroying each other at close range and the small ship just materialized between them. No time to react. No way out except through. Pure desperate survival at maximum speed. Massive weapon beams from both warships cross continuously, inches from the ship in every direction. Both warships are tearing each other apart, debris exploding outward from both sides simultaneously The small ship weaves through crossfire, debris fields, and shockwaves at full speed Hull takes continuous glancing hits, sparking, panels tearing, engines screaming. Explosions from both capital ships erupt on both sides simultaneously, the small ship threading through the gaps One warship begins catastrophic structural failure, breaking apart directly in the ship's path. Camera chases tight and low, frantic, relentless, never settling. The ship bursts through the collapsing warship's breaking hull, threading through its exploding interior in one straight desperate line and emerging out the other side into clean space. Behind it both warships detonate simultaneously. The shockwave hits the small ship, sending it spinning wildly before it stabilizes. Engines dying. Drifting. Alive. Camera pulls back wide showing the full scale of the destruction it just survived.

Siapkan masukan dan perbaiki prompt

  • Pertahankan satu jalur kamera dan periksa apakah komposisi bingkai berubah sesuai rencana.
  • Ubah satu aksi atau arah kamera pada satu waktu dan pertahankan pengaturan lainnya.
  • Ini adalah saran untuk perubahan dan pemeriksaan hasil. Video sumber bukan bukti bahwa Studio telah mereproduksi perubahan tersebut.

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