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Duração do vídeo:
15s
Dimensões do vídeo:
1280 × 720
Animação/MiniMax H3

Um personagem de anime rompe o tipo negativo gigante

Um personagem passa por obstáculos tipográficos japoneses pretos antes que uma mensagem vermelha de encorajamento apareça.

Modelo de vídeo
MiniMax H3
Duração do vídeo
15s
Proporção da imagem
16:9
Modo de geração
Não especificado
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Prompt

CHARACTER (identical in every cut): a woman in her twenties, short black hair, grey blazer over a white shirt, red high-top sneakers. Same face, eyes and proportions in all four cuts - do NOT redesign her between cuts; exaggeration applies to expression and pose only, never to face structure. She moves with fluid athletic grace, never stiff. WORLD: an endless white void with a pale-grey grid floor, dust motes in hard rim light. Stylized 2.5D anime aesthetic, photorealistic high-detail 2.5D CG, clean cel-shaded face, high-key white and grey with one red accent, soft bloom, lens flares, 35mm grain. TEXT (critical): exactly three pieces of text appear, one at a time, never together. Each is a single horizontal line spanning the full width of the frame, razor sharp, correctly spelled, clean spacing between characters. (1) Japanese, nine characters: 失敗を恐れすぎだよ - thick wet black brush ink. (2) Japanese, thirteen characters: 人の目ばかり気にしてるよね - thick wet black brush ink. (3) English, four words: You can do it! - bold, solid red. No other letters, numbers, signage, captions or subtitles anywhere; the spoken lines must never appear as text. SHOT 1 (0:00-0:04) [Truck right]. Emotion: irritated defiance. 0:00-0:01: extreme close-up of a red sneaker landing on the white floor, black ink cracking outward. 0:01-0:04: camera drops to ground level and trucks right alongside her as she walks - text (1) erupts from her footprints and locks into the air behind her, taller than she is. She says in Japanese: "うるさいな" - flat, annoyed, half over her shoulder, lip-synced. Cut to SHOT 2 (0:04-0:08) [Tracking shot]. Emotion: pressure. 0:04-0:06: she breaks into a run, three hard strides, foreground grid slabs whipping past in motion blur, speed lines streaking. 0:06-0:08: text (1) dissolves and text (2) rears up as a long ink wall chasing her, dripping, slamming down behind her heels twice and cratering the floor. Camera tracks low behind her shoulder, shaking on each impact. Cut to SHOT 3 (0:08-0:12) [Push in]. Emotion: sharp refusal. 0:08-0:09: she skids to a dead stop, one arm swinging out, dust bursting sideways. 0:09-0:10: hard accelerating push-in as she pivots and shoves both palms into the falling ink wall - a single-frame high-contrast inverted impact frame, shockwave ring. 0:10-0:12: text (2) shatters into black ink fragments scattering past camera in slow motion. Cut to SHOT 4 (0:12-0:15) [Pull out]. Emotion: light, decided. 0:12-0:13: she steps through the fragments and stamps a foot down. 0:13-0:15: text (3) rams up out of the floor beside her, filling the frame, as the camera pulls out to a wide of the void. She turns her head and gazes directly into the camera. She says in Japanese: "やってみる" - light, half smiling, lip-synced. CAMERA GRAMMAR: one move per cut; shot sizes swing hard - ECU, low tracking wide, ECU, wide. PERMITTED: dolly, push-in, truck, tilt, low tracking. AVOID: whip pans, handheld jitter, 360-degree rotation, slow zooms. AUDIO: sneaker squeak, running footfalls, a heavy wet ink slam on each impact, a glass-like shatter on the shove. Music: minimal electronic percussion, one beat drop on the shatter, one on the final text. Only one voice in the clip - hers. No narration, no second speaker. CONSTRAINTS: she is the only person in frame. Stable geometry, natural motion, no warping.

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