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Video duration:
18s
Video dimensions:
1470 × 630
Motion & sound/Seedance 2.5

Two Minutes of Air

Two Minutes of Air. A Seedance 2.5 text-to-video example with its source prompt and generated video.

Video model
Seedance 2.5
Generation duration
18s
Aspect ratio
21:9
Generation mode
Text to video
Resolution
720p
Audio
On
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Prompt

【Concept】: A diver and a boat pilot on the water at night off Rio while a police helicopter searchlight works the bay. One exchange, no resolution. 【Style】: Contemporary Brazilian crime cinema, anamorphic, near-black frame cut by one moving searchlight, hard highlights on wet neoprene and painted hull, fine grain, no stylized grade. 【Duration】: 18 seconds 【Scene】: A small open boat idling in black water a few hundred meters off a headland. Rio's lights along the shore behind. A diver in a black wetsuit hanging off the gunwale with his mask pushed up and a mesh bag clipped to his harness. A helicopter searchlight crossing the water in slow passes, arriving and leaving. 【Characters】: The pilot, a woman of about forty at the tiller in a soaked windbreaker. The diver, the same age, in the water with one arm hooked over the side. 【Action】: The searchlight passes over them and they both go still and low until it leaves. She looks at the mesh bag, then at the headland, and says, "Quantos minutos você tem?" He unclips the bag and pushes it up into the boat before answering, "Dois. Se você não me deixar aqui." She does not answer. She puts a hand on his forearm and keeps it there. The searchlight starts back toward them. 【Camera】: Locked at water level from the far side of the boat so both faces and the bag stay in one frame, no coverage and no cuts. 【Continuity】: One bag, one diver, one boat. The searchlight only ever moves in one direction per pass. Each mouth moves only for its own line. 【Audio】: Clean lip-synced Brazilian Portuguese, an idling outboard, water against a hull, rotor wash arriving and fading, a regulator venting once. No subtitles and no score.

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  • Assign subject motion and camera motion separately; inspect each independently.
  • Change one action or camera direction at a time and retain the other settings.
  • These are revision and inspection suggestions; the source video is not evidence that the Studio reproduced these changes.
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