Moto d'acqua e telefono senza custodia

A 12-second vertical handheld take shot on the phone that is in frame, one continuous shot, natural performance, real handshake throughout. Beat 1 (0-3s): She looks into the lens with the engine idling under her and says, "Everyone keeps asking if I actually trust this thing." She turns the phone once so the case is readable as a case and not a screen. Beat 2 (3-7s): She stops talking, puts her free hand on the throttle, and accelerates hard. The bow lifts, spray comes up over both of them and across the lens, and the framing goes wild for about a second before she gets it back on her face. She is laughing and not talking. Beat 3 (7-10s): Still moving, she holds the phone out to the side at arm's length and dunks it fully under the water beside her for two seconds, then brings it back up streaming. The picture continues without interruption. Beat 4 (10-12s): She wipes the lens with her thumb, gets her face back in frame, and says, "Still filming. That's the whole review." Her mouth moves only during her own two lines. Hold the same face, hair, life vest, case and light from the still, and keep it vertical and handheld the whole way with no cuts. Clean lip-synced English, a two-stroke engine under load, water slapping the hull, spray across the microphone, the muffled underwater seconds, wind. No score.