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Durata del video:
15s
Dimensioni del video:
1280 × 720
Animazione/MiniMax H3

Sequenza dei titoli anime jazz-noir

Un'uscita H3 per la sequenza di titoli di anime Jazz-Noir. Questa pagina mantiene il collegamento alla fonte X originale. Il prompt pubblico viene conservato alla lettera senza traduzione, riscrittura o completamento

Modello video
MiniMax H3
Durata del video
15s
Rapporto d’aspetto
16:9
Modalità di generazione
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Prompt

@Arcane_Aii Using the attached reference image for the character and the attached audio track for timing, generate a jazz-noir anime title sequence in a stylized pop-art style. Every cut must land exactly on a beat of the audio — treat the track as the edit timeline. VISUAL STYLE — apply throughout: Render characters as flat, high-contrast black silhouettes against solid single-color backgrounds (saturated red, mustard yellow, deep blue). No naturalistic shading — each shot commits to one or two dominant colors only, like a screen-printed poster. Compose shots like comic-book panels and pulp-magazine covers: bold panel divisions splitting the frame, hard geometric shapes, dramatic off-center cropping, extreme close-ups intercut with full-body poses. Use freeze-frames as a core device: the character hits a dynamic pose (drawing a weapon, mid-stride, lighting a cigarette, turning toward camera) and the frame HOLDS completely still for one full beat before cutting. Do not smooth or interpolate through these holds — they must be dead stops. Title typography in mid-century Saul Bass style: stark geometric letterforms, bold sans-serif, text that slides in as flat colored bars or snaps into frame on the beat. Overlay the entire sequence with heavy analog film grain, slight gate weave, and worn-print color texture — it should look like a scratched 35mm print of a 1960s jazz album cover, not clean digital animation. MOTION AND EDITING: Alternate between two modes — (1) fast kinetic bursts of motion (whip pans across silhouettes, rapid cut sequences, a silhouette sprinting across a solid color field) and (2) hard freeze-frame holds. The contrast between the two IS the rhythm. Cuts are hard cuts only: no dissolves, no fades, no morphing between shots. Each new shot snaps in on the downbeat with a fresh background color. End on the character in silhouette, frozen mid-pose against a solid red field, with the title card snapping in beside them on the final hit of the track.

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  • Controlla le silhouette e la continuità dello stile prima di aggiungere un’altra azione.
  • Sostituisci i riferimenti con materiali tuoi che sei autorizzato a usare e aggiungi ogni ruolo indicato. La mancanza di materiali può impedire di riprodurre l’esempio.
  • Questi sono suggerimenti per la modifica e la verifica; il video della fonte non dimostra che Studio abbia riprodotto queste modifiche.

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