- Video süresi:
- 18s
- Video boyutları:
- 1280 × 720
Dünyayı Dolaşan Bir Çiçek
Dünyayı Dolaşan Bir Çiçek. Seedance 2.5 modeliyle oluşturulan bu video örneğini, orijinal istemini, üretilen videoyu ve gerekli girdileri inceleyin.
- Video modeli
- Seedance 2.5
- Video süresi
- 18s
- En boy oranı
- 16:9
- Üretim modu
- Referanstan video
İstem
Live-action style, fast-paced editing, cinematic feel, 4K, 24fps, warm natural light, real human performance, natural lip-sync, no subtitles. Using the passing of a fresh flower as the core visual thread of the entire video, the flower quickly travels from one country to the next, connecting different regions and people across the globe. In each scene, a person receives the flower, shows a sincere smile, and says "Thank you" in the local language. The overall rhythm is light, fast, and smooth, with dynamic shots emphasizing authentic street/life atmosphere, warm cross-cultural connections, and the transmission of goodwill between people. Transition method: The previous person hands the flower out of frame, the next shot shows another person catching the flower in a new scene Or use quick whip pans, motion blur, foreground occlusion for seamless transitions Maintain the visual continuity of the flower in the frame, creating a "one-shot global pass" feeling Shot style: Handheld follow shots, slight camera shake, quick push/pull, combination of close-ups and medium shots, authentic ambient sound atmosphere, cinematic street photography quality. Background music is warm, light, with a sense of world travel, ending with a gentle fade-out. Scene 1 【@Image 1】 Inside a Chinese flower shop, a real-life scene. A girl receives a rose, looks at the camera and smiles, saying naturally: "谢谢!" The shot follows the flower being handed in from the right side of the frame, the girl gently raises the bouquet after receiving it. Scene 2【@Image 2】 An English street, slightly cool weather, natural street scene. A man receives a carnation, smiles and nods, saying: "Thank you!" Transition via whip pan, the flower is whipped into this scene from the previous one. Scene 3 【@Image 3】 A Mexican market, rich in color, full of life. An auntie receives a bunch of marigolds, puts her hands together, and says warmly: "¡Gracias!" The camera quickly passes by stalls and crowds, freezing on the moment of receiving the flower. Scene 4 【@Image 4】 An Indonesian village, natural sunlight. A child receives a frangipani flower, smiles happily, gives a slight bow, saying: "Terima kasih!" The shot has a slight sense of running, the atmosphere is innocent and natural. Scene 5 【@Image 5】 A Thai street, lively market atmosphere. A vendor receives a string of jasmine garland, puts her hands together, and says kindly: "ขอบคุณค่ะ!" The camera pushes in lightly, the garland sways slightly in the sunlight. Scene 6 【@Image 6】 An Arabian courtyard, soft light and shadow, elegant environment. A lady receives a desert rose, touches her chest and smiles, saying: "شكراً!" The frame is quiet and warm, the person's expression is sincere. Scene 7 【@Image 7】 A Brazilian community, vibrant and lively atmosphere. A boy receives a gerbera daisy, very happy, saying: "Obrigado!" The shot is rhythmic, full of vitality. Scene 8 【@Image 8】 A Japanese street, a salaryman receives a small flower on a bento box, bows politely, saying: "ありがとう!" The shot is short and crisp, retaining an urban sense of rhythm. Scene 9 【@Image 9】 A Korean street, modern urban feel. A young woman receives an azalea flower, naturally puts her hands together, smiles and says: "감사합니다!" The camera lingers slightly on her smiling moment, then the image fades out softly.
Girdileri hazırlayın ve istemi düzenleyin
- Geçişin nerede gerçekleştiğini açıklayın ve korunacak öğeleri açıkça belirtin.
- Referansları kullanım hakkına sahip olduğunuz kendi girdilerinizle değiştirin ve listelenen her rolü ekleyin. Eksik girdiler, örneğin yeniden oluşturulmasını engelleyebilir.
- Bunlar düzenleme ve kontrol önerileridir. Kaynak video, Studio’nun bu değişiklikleri yeniden oluşturduğunun kanıtı değildir.