- Długość filmu:
- 15s
- Wymiary filmu:
- 3840 × 2160
Desperacka ucieczka przez krzyżowy ogień
Ciągły ruch kamery, bez cięć. Od pierwszej klatki brak chwili wytchnienia. Dźwięk to czysty, przytłaczający chaos: nieustanne eksplozje, strzały, zawalające się konstrukcje. Brak ludzi. Realistyczne.
- Model wideo
- Seedance 2.0
- Długość filmu
- 15s
- Proporcje obrazu
- 16:9
- Tryb generowania
- Nie określono
Prompt
Continuous camera motion, no cuts. Zero breathing room from first frame. Audio is pure overwhelming chaos, continuous explosions, weapon fire, structural failure. No humans. Realistic space physics. No spontaneous objects. A ship emerges from hyperspace directly inside an active battle it didn't know was happening. Two massive warships already destroying each other at close range and the small ship just materialized between them. No time to react. No way out except through. Pure desperate survival at maximum speed. Massive weapon beams from both warships cross continuously, inches from the ship in every direction. Both warships are tearing each other apart, debris exploding outward from both sides simultaneously The small ship weaves through crossfire, debris fields, and shockwaves at full speed Hull takes continuous glancing hits, sparking, panels tearing, engines screaming. Explosions from both capital ships erupt on both sides simultaneously, the small ship threading through the gaps One warship begins catastrophic structural failure, breaking apart directly in the ship's path. Camera chases tight and low, frantic, relentless, never settling. The ship bursts through the collapsing warship's breaking hull, threading through its exploding interior in one straight desperate line and emerging out the other side into clean space. Behind it both warships detonate simultaneously. The shockwave hits the small ship, sending it spinning wildly before it stabilizes. Engines dying. Drifting. Alive. Camera pulls back wide showing the full scale of the destruction it just survived.
Przygotuj materiały i dopracuj prompt
- Zachowaj jeden tor ruchu kamery i sprawdź, czy zmienia kadr zgodnie z zamierzeniem.
- Zmieniaj tylko jedno działanie lub kierunek ruchu kamery naraz, pozostawiając pozostałe ustawienia bez zmian.
- To wskazówki dotyczące modyfikacji i sprawdzania rezultatów. Film ze źródła nie dowodzi, że Studio odtworzyło te zmiany.