- 영상 길이:
- 15s
- 영상 크기:
- 1280 × 720
애니메이션 캐릭터가 거대한 네거티브 유형을 돌파합니다.
캐릭터가 검은색 일본어 인쇄상의 장애물을 통과한 후 빨간색 격려 메시지가 나타납니다.
- 영상 모델
- MiniMax H3
- 영상 길이
- 15s
- 화면 비율
- 16:9
- 생성 모드
- 지정되지 않음
프롬프트
CHARACTER (identical in every cut): a woman in her twenties, short black hair, grey blazer over a white shirt, red high-top sneakers. Same face, eyes and proportions in all four cuts - do NOT redesign her between cuts; exaggeration applies to expression and pose only, never to face structure. She moves with fluid athletic grace, never stiff. WORLD: an endless white void with a pale-grey grid floor, dust motes in hard rim light. Stylized 2.5D anime aesthetic, photorealistic high-detail 2.5D CG, clean cel-shaded face, high-key white and grey with one red accent, soft bloom, lens flares, 35mm grain. TEXT (critical): exactly three pieces of text appear, one at a time, never together. Each is a single horizontal line spanning the full width of the frame, razor sharp, correctly spelled, clean spacing between characters. (1) Japanese, nine characters: 失敗を恐れすぎだよ - thick wet black brush ink. (2) Japanese, thirteen characters: 人の目ばかり気にしてるよね - thick wet black brush ink. (3) English, four words: You can do it! - bold, solid red. No other letters, numbers, signage, captions or subtitles anywhere; the spoken lines must never appear as text. SHOT 1 (0:00-0:04) [Truck right]. Emotion: irritated defiance. 0:00-0:01: extreme close-up of a red sneaker landing on the white floor, black ink cracking outward. 0:01-0:04: camera drops to ground level and trucks right alongside her as she walks - text (1) erupts from her footprints and locks into the air behind her, taller than she is. She says in Japanese: "うるさいな" - flat, annoyed, half over her shoulder, lip-synced. Cut to SHOT 2 (0:04-0:08) [Tracking shot]. Emotion: pressure. 0:04-0:06: she breaks into a run, three hard strides, foreground grid slabs whipping past in motion blur, speed lines streaking. 0:06-0:08: text (1) dissolves and text (2) rears up as a long ink wall chasing her, dripping, slamming down behind her heels twice and cratering the floor. Camera tracks low behind her shoulder, shaking on each impact. Cut to SHOT 3 (0:08-0:12) [Push in]. Emotion: sharp refusal. 0:08-0:09: she skids to a dead stop, one arm swinging out, dust bursting sideways. 0:09-0:10: hard accelerating push-in as she pivots and shoves both palms into the falling ink wall - a single-frame high-contrast inverted impact frame, shockwave ring. 0:10-0:12: text (2) shatters into black ink fragments scattering past camera in slow motion. Cut to SHOT 4 (0:12-0:15) [Pull out]. Emotion: light, decided. 0:12-0:13: she steps through the fragments and stamps a foot down. 0:13-0:15: text (3) rams up out of the floor beside her, filling the frame, as the camera pulls out to a wide of the void. She turns her head and gazes directly into the camera. She says in Japanese: "やってみる" - light, half smiling, lip-synced. CAMERA GRAMMAR: one move per cut; shot sizes swing hard - ECU, low tracking wide, ECU, wide. PERMITTED: dolly, push-in, truck, tilt, low tracking. AVOID: whip pans, handheld jitter, 360-degree rotation, slow zooms. AUDIO: sneaker squeak, running footfalls, a heavy wet ink slam on each impact, a glass-like shatter on the shove. Music: minimal electronic percussion, one beat drop on the shatter, one on the final text. Only one voice in the clip - hers. No narration, no second speaker. CONSTRAINTS: she is the only person in frame. Stable geometry, natural motion, no warping.
입력 자료 준비 및 프롬프트 수정
- 다른 동작을 추가하기 전에 실루엣과 스타일의 일관성을 확인해 주세요.
- 동작이나 카메라 방향을 한 번에 하나씩 바꾸고 나머지 설정은 유지해 주세요.
- 이는 수정과 확인을 위한 제안입니다. 출처의 영상은 Studio가 이러한 변경 사항을 재현했다는 증거가 아닙니다.